JFK-Secret societies PT2 – Unedited
JFK-Secret societies PT2 – Unedited
April 27, 1961
President John Kennedy
“President and the Press” Speech
Recorded at the Waldorf-Astoria Hotel in New York, New York before the American Newspaper Publishers Association. Running time is 19:12. Kennedy asks the press for their cooperation in fighting communism by applying the same standards for publishing sensitive materials in the current Cold War that they would apply in an officially declared war.
Duration : 0:9:40
JFK-Secret societies PT1 – Unedited
JFK-Secret societies PT1 – Unedited
April 27, 1961
President John Kennedy
“President and the Press” Speech
Recorded at the Waldorf-Astoria Hotel in New York, New York before the American Newspaper Publishers Association. Running time is 19:12. Kennedy asks the press for their cooperation in fighting communism by applying the same standards for publishing sensitive materials in the current Cold War that they would apply in an officially declared war.
Duration : 0:9:40
Leaked Machete Script Confirms Race War Plot
http://www.infowars.com/leaked-machete-script-confirms-race-war-plot/
A script leaked for the upcoming film Robert Rodriguez Machete confirms fears that seeks to build up a racial cult figure who kills for the cause of illegal immigrants.
Alex Jones first put out a video warning about the potential of Machete to kickstart a race war after he was warned by two Hispanic members of Robert Rodriguez production crew. Last week, an Internet-hyped Illegal trailer for the film revealed many politicized aspects added to the already violence-laced film premise of a off Mexican who wipes out his American enemies with a machete. The exploitation film was first spoofed in Rodriguez & Tarantinos Grindhouse before it was fully developed as a feature.
Now that production for Machete is wrapping up in Austin, it is clear that its racially driven plot plays upon thin stereotypes, pejorative cross-culture terms and exacerbated divisions between immigrants and white people.
The film is dangerous because it glorifies Machete as a hero, invoking his fictional racial struggle with clear parallels to current events and headlines ripped from topical news. We have already seen episodes of violent attacks, declaration of violent intent and demonstrable anger over attempts as regulation, such as Arizonas recent controversial legislation.
Further, the script seeks to build a cult icon in Machete, who Rodriguez plans to expand into sequel enterprises. By the end, the vicious revenge killer is cast in the holy light of a martyr; his likeness is placed on religious candles as the Virgin Mary or Jesus Christ would be. Vulnerable illegal immigrants, seeking to evade crude Militia Men characters as they cross the border, pray to Machete for protection, and the hopes they he will wipe out their enemies. Machete becomes a folk hero of sorts, like a Father Hidalgo, and it carries over into the traditional use of the machete as a symbol of peasant uprisings. Thus, he becomes a light to all those who seek to defeat their oppressors (by whatever means necessary, if the film is any indicator).
Religious inculcation is further induced by associating the Catholic church with Machetes revenge plot—who is set-up for the assassination of an anti-immigration Texas Senator, who seeks to portray illegals as a terroristic group seeking violence.
This Senator utilizes a false-flag scenario to cover his own reputation and associate with extremist militia groups, one of which is known as Freedom Force, the same name as the pro-sovereignty, anti-globalization, anti-Federal Reserve patriot group founded by G. Edward Griffin. It is these elements of Machete which seem more akin to the recent media attacks by the Southern Poverty Law Center and Anti-Defamation League than they do to good movie plot conventions.
Duration : 0:10:52
Desert of the Real: Jesus, The Matrix, and Hyper-Reality.
phatcityhogs. hyperreality
Doc/Essay. Sourced from:
Desert of the Real: Jesus, The Matrix, and Hyperreality.
Jean Baudrillard’s “Procession of Simulacra” (1984).
Larry and Andy Wachowskis’ The Matrix (1999).
Baudrillard compares reality to the map of a great empire’s territory. The map of the empire becomes so descriptive that it “ends up exactly covering the territory (but where the decline of the Empire sees this map become frayed and finally ruined” (Baudrillard, 19). The great map, the abstraction, the simulation of the territory, presents the frayed edges as the symbol for the decline of the empire. Compared with the simulation prevalent in the modern world, Baudrillard suggests that the map which was once only a representation of a true substance, has replicated that substance so many times that the simulation has become the substance itself. Today, we cannot use abstraction in the sense that true reality can be separated from a representation of itself. That is to say that you cannot separate the territory from its representation in the map. What then is left for reality and truth? If the simulation, or map, now contains the essence of the territory, than the frayed edges which once symbolized the decline of the empire today represent the outskirts of our current simulation. “It is the real, and not the map, whose vestiges subsist here and there, The desert of the real itself” (Baudrillard, 20). What is meant by this is that real truth and meaning cannot be found when one only ever encounters simulation. The individual who is aware of the presence of simulation and can separate themselves from it, in a sense becomes free from it. A state of pure reality still exists in relation to the map. It is in the desert of the real that one finds themselves in a position to reject simulation in order to derive at a greater truth.
Simulation makes the human lose all emotional connections with the other, the object. That at it’s worst, it turns us into droids, incapable of human emotion..
Written by: Nic Foster. 2005, or thereabout.
All comments welcome. Id really like some feedback on this one. Thanks for Watching, and for all the great comments/thoughts posted so far.
phatcityhogs.
Duration : 0:10:6
